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Friday, July 12, 2024

A Ring Can Compete with a Portray


  • The winner of the Younger Artist Award receives a prize of US$7,500, and every of 4 finalists will get US$1,000.
  • The winner and finalists may even be featured in an exhibition throughout Schmuck, in March 2024.
  • AJF’s Younger Artist Award advances the careers of rising artists by acknowledging promise, innovation, and individuality. Up to date jewellery artists aged 35 and below are invited to use for this worldwide prize in up to date artwork jewellery, which is held each two years.

AJF will settle for functions by means of November 6, 2023. Go right here to get the rules and to use.

Ted Noten
Ted Noten, photograph: Imke Panhuijzen

The jury for this award cycle consists of Ted Noten, Atty Tantavit, and Mallory Weston, who received the 2022 Younger Artist Award.

Marta Costa Reis: First, a bit background. Please clarify the way you have been launched to up to date jewellery.

Ted Noten: I began making jewellery from silver wire and shells/beads after I was touring to India and Africa on the finish of the 70s, and Athens was the doorway to all these nations.

I noticed a German man making his work and he seen my curiosity. He was my first trainer. Two days later I used to be sitting on the road aspect beside him and promoting my stuff, organized on a chunk of velvet, for $5 to $7 every.

A couple of years later I went to the artwork college with my stuff they usually have been a bit shocked that I had the center to return in with this artisanal work. However they believed in me and gave me the prospect to broaden my craft. Three years later I went to the Rietveld Academie, in Amsterdam, as a result of the crafting was not sufficient for me. I wished to work conceptually and to discover my creative aspect.

Exhibition view, Ted Noten & Co.: On Worth, at Museum JAN, Amstelveen, Netherlands, October 4, 2023–February 4, 2024, photograph: Eddy Wenting

What do you do now in relation to jewellery? You at present have a brand new exhibition in Amstelveen, within the Netherlands. Inform us about that.

Ted Noten: By way of the years I’ve strived to broaden jewellery ideas and in addition to convey jewellery into a brand new context. The exhibition at Museum JAN is a blended media one the place jewellery finds its equals, which means for me {that a} ring can compete with a portray. It’s not the hierarchic place (by means of the ages) that defines [the work]—it’s its high quality. Someplace in historical past, jewellery misplaced its significance. Within the Renaissance we have been the highest rankers.

Ted Noten
Picture courtesy of Ted Noten

These previous few years have seen a number of disruption and uncertainty. What surprises you most in the best way youthful generations reply to the fast-changing world round them?

Ted Noten: Primarily I see a willingness in these chaotic occasions the place utterly different drives are occurring than I had after I began. First, our technology was fortunate, with passionate collectors and gallery homeowners—most of them have stopped as a consequence of age or, unhappy to say, they went to heaven—whereas a youthful collectors group has hardly come into being. Additionally, at the moment, there was a respect from the artwork world starting for our work. Up to date jewellery might compete, might add [to the conversation]. Additionally at the moment we have been extra centered on AutorenSchmuck (creator jewellery). Now youthful makers are extra involved with context and id: LGBTQI, inclusivity, and many others., and many others.

Additionally, after I began there was no web—no computer systems, no risk of a world that’s doomed to “die.” The longer term is way more unsure.

Ted Noten
Ted Noten, self portrait

What do you suppose is the one most vital dialog for artists to be having at the moment?

Ted Noten: The way to place your self in new contexts. The gallery system is dying, and now we have to search out new markets, new collaborations, new horizons. And even when you could have a good looking, vital idea, nonetheless the craftsmanship ought to be there.

Apart from grants corresponding to this one, in what different methods do you suppose that younger artists may be inspired and supported?

Ted Noten: There ought to be extra overlapping, extra collaborations with jewellery folks—collaborating provides new prospects. (Additionally, the style world nonetheless sees us as competitors.) Additionally settle for and notice that being an artist these days shouldn’t be solely making. It’s advertising and marketing/PR/easy methods to talk/easy methods to combine new strategies/and many others., and many others., and many others. You can’t have 20 skills and run every thing your self.

© 2023 Artwork Jewellery Discussion board. All rights reserved. Content material is probably not reproduced in entire or partly with out permission. For reprint permission, contact data (at) artjewelryforum (dot) org



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